Tonee Harbert captures the street scenes on Tyng and Tate Streets in Portland.

Tonee Harbert captures images at the H.O.M.E organization, an organization that aims to assist and support low-income and homeless families.

Tonee Harbert captures the first experiences of Cambodian refugees in Maine.

At risk of flunking out from school systems, Kristin Myers is an at-risk student. Tonee Harbert captures how Myers struggles in school and the impact it has on her life.

For three generations, a colony of Swedish farmers have raised potatoes and families in rural Aroostook County. Tonee Harbert captures how these farmers are close knit and hard working.

Tonee Harbert captures the lives and work of Jamaican apple pickers who spend more time in American than in Jamaica.

Tonee Harbert captures the lives and work of Jamaican apple pickers who spend more time in American than in Jamaica.

There are two monuments in Maine that celebrate the feats of Maine woodsmen. Tonee Harbert captures how these two statues represent two different cultures.

As the Irish continue to flee from the crofts of western Ireland and civil war in northern Ireland, the Irish community grows in Portland. Tonee Harbert captures the lives of individuals within the Portland Irish community.

There was a time when Maine was marketed as a landscape for escape, known as vacationland. Tonee Harbert captures how Maine is now marketed as "The Way Life Should Be."

Coming to Maine as refugees, two Cambodian families experience contrasts from their old lives and new ones in a land with plenty. Tonee Harbert captures how these two families adapt to their new lives in Maine.

When artists enter towns, they usually herald incoming change. Tonee Harbert captures how this is taking place in Belfast, and how some people in the community do not want the change.