In the French Canadian community in Biddeford, Toots Bouthot makes makes his music. Dana Gillian documents Bouthot's passion for music.

A practitioner of alternative healing, Dana Roffler runs a healing business for animals and people. Melissa Matsubara discusses how Roffler uses Shamanism as a form of healing.

Dana Eastman, an avid fisherman, runs the Tackle Shop in Portland and instructs customers on how to catch bigger fish than they could before. Ian Moulton speaks to Eastman about his business and passion for fishing.

Margarette Payson captures the life of Dana Mitchell, a member of the Penobscot tribe.

Dana Lynn Boucher and other Salt students visit Albert Redmond to learn about her past and daily activities.

William Ibelle explores how three generations of Penobscot Indians are searching through their experiences to define what it means to be a Penobscot living in today's work.

Mostly white communities retell legends and folklore about Native Americans all over the country - all the time - including in Biddeford, Maine. But these stories about Native Americans are not traditional Native American stories. John Bear Mitchell and Carol Dana are traditional native storytellers from the Penobscot Nation. They talk about storytelling in their communities and why traditional native stories are stories that can only be evoked by a people who have actually lived that history.

Growing up watching their mother perform work as a doctor, Dr. Marion Moulton's sons viewed doctoring as woman's work. Carol Kuhn highlights the work Dr. Moulton has done as a doctor in rural Maine.

The most controversial spot in Kennebunkport is the first pay parking lot, which George Harriman works at in the kiosk. Susan Lauttman speaks to Harriman about his job.

From all over the world, Joanne Millay has nine internationally adopted children, and raises them as a single mother. Dana Carmody-Burns speaks to Millay about her experiences adopting children and how the family functions as a community.

Pam Berry captures a photograph outside of the Custom House Wharf in Portland, a year before the pullout by Casco Bay Lines Ferry Terminal.

Dana Crawford captures the work of dancers during their acts to highlight the essence of their emotions.