R. Todd Hoffman speaks on the history of Salt's photography and the tradition of documentary photography.

William Ibelle explores how three generations of Penobscot Indians are searching through their experiences to define what it means to be a Penobscot living in today's work.

Tonee Harbert captures the street scenes on Tyng and Tate Streets in Portland.

Tonee Harbert captures the lives and work of Jamaican apple pickers who spend more time in American than in Jamaica.

Jim Daniels captures the activities of mall goers.

Bert Cass captures an image of Barry Bernard in his room at the YMCA in Portland.

Bert Cass captures a close up of John Wedge, who has lived at the YMCA in Portland for 20 years.

As a survivor of the genocide in Darfur, El Fadel discusses the importance of sharing one's story. Kelsie Bohl documents El Fadel's story and the experience he had in Darfur.

Recounting her life in Darfur, Marwa Abdalla speaks about the opportunities that she has in the United States, and how the people in Darfur have nothing in comparison. Abdalla discusses the importance of getting an education while in the United States, and the dream of going to Darfur after the war is over.

On North Haven Island, Turner Farm is run by a powerhouse of women. Erin Fitzsimmons profiles the work these women do on the farm.

Aria Curtis captures images of Jessy, a young man who fights to promote the Dream Act.

Erika Gatz documents the work of boat shop apprentices at the Carpenter's Boat Shop in Pemaquid, Maine.