Looking for something to do one day, Terry Merrill decided to build a duck blind. Merrill describes the building process and how duck blinds are used.

Andrea Clark discusses the lives and experiences of various individuals who grew up being black in Maine.

Inside back cover of August 1979 Salt Magazine with thanks, statement, and information.

Introduction to Maine: A Peopled Landscape by Hugh T. French, who writes about the changing face of Salt and Maine.

For most of his 74 years in Kennebunk, Bert Graves has been a smelt fisher. Roxanne Maling and Wendy Vail explore how the smelting fishing technique works by talking to Graves and Harvey Bixby.

Continuing the story of stone walls, Mark Serreze speaks to Harvey Bixby about the mortared wall. Bixby discusses his work as a mason and creating stone walls.

Madeleine Pryor documents the life of Stephanie Epps, a stripper from Portland who is looking for a quick way to make money and live on her own terms. Contains adult content.

In the hayday of the granite industry, thousands of Maine quarrymen and stone cutters worker in over a hundred quarries. Amy Potokar documents the work that a few determined artisans continue to do with granite on Crotch Island.

Heidi Sistare highlights the work of Lisa Pixley, a trailblazer in the energetic printmaking community in Portland. Sistare speaks to Pixley about her printing studio, Pickwick Independent Press, and about being an artist.

Forward to by Robert Coles to Maine: A Peopled Landscape.

For many people, thinking about what the future could look like in an era of human-caused climate change is too difficult. A group of young people are confronting it head on… through fiction.

At the bottom of Sebasticook Valley lies the town of Dexter, a town that has seen the lose of a large number of jobs. Carrie Kilman investigates how the lose of shoe production jobs in Dexter has affected the livelihoods of its residents and the community.