Technicians at the Maine Sleep Institute aim to find irregularities in a person's sleep, in order to assist with the recovery of sleep. Brooke Lawsing speaks to individuals who suffer from sleep disorders to learn about their experiences and treatments they have received.

The profession of midwifery in Maine is not legal, but is also not illegal, despite being centuries old. Emily Ambrose documents the efforts of two professional midwives as they push for legalization and recognition of their trade as viable alternatives to hospitalized births.

Readers write in response to the work Salt has done.

Pamela Wood introduces readers to the stories in the June 1977 Salt Magazine.

Inside back cover for the June 1980 Salt Magazine with masthead and description of the work Salt does.

Noreen Hogan captures the work of women tradesworkers around Bath, Maine.

Representative of a different era, the Criterion Theater in Bar Harbor stands out. Peter Cooper documents how the theater continues to function in Bar Harbor's changing world.

Staff, contributors, trustees, and academic board members are listed.

Pamela Wood offers an introduction to readers for this double issue, that touches on the continuity of work, continuing harvest of land, and making of things.

Carolyn Mix documents the lives of Terry, Lib, and Nick who are redefining the meaning of the traditional family unit. As a lesbian family living in suburban Portland, they build their own unique structure to define what a family is for them and the traditions they hold.

Having travelled to Trinidad and Tobago growing up, Nigel Chase developed a love for Calypso and steel drum music. Peter Domingos highlights Chase's entry into steel drum music, and performing in his small coastal community of Brooksville.

Having travelled to Trinidad and Tobago growing up, Nigel Chase developed a love for Calypso and steel drum music. Alexandra Brahler captures Chase's entry into steel drum music, and performing in his small coastal community of Brooksville.