Following the death of artist Robert Hamilton, his widow Nancy has attempted to preserve his art and his legacy. Jessie Wright-Mendoza speaks to Nancy about Robert's passion for painting, and how his art contrasted the typical Maine art style.

Moe is a full time artist, and he has decided to carve a pumpkin that is over 1000 pounds. Sofia Aldino profiles Moe's desire to carve his giant pumpkin.

Staff, contributors, trustees, and academic board members are listed.

Motivated to make art from a young age, Michelle Estell was inspired by her grandmother, who now has Alzheimer's. Stephanie Strauss profiles how Estell makes art influenced by her grandmother.

With the rise of UFC fighting in American, many martial arts studios introduced training for a form called grappling. Karen Sosnoski explores how Seung Choi runs his martial arts studio in Portland and discusses his beliefs and training.

Danielle Taylor captures the life of Phyllis Rogers, a teacher with SPIRAL Arts, Inc., who suffers from chronic pain following an accident that damaged her brain.

As a blacksmith, Andrew Leck forges metal into pieces of art. Erin Birney profiles Leck's work with metal and becoming a blacksmith.

For the past few years, William Whorf has taken up the hobby of repairing and restoring ship models. Martha Truscott and others speak to Whorf about his hobby and the intricate work that goes into it.

An artist who prefers realistic paintings, Steven Mumford goes to war zones to create works for art. Mujahid Suliman speaks to Mumford about his art style and his experiences in war zones as an artist.

Through creating works of art, Robert Saunders is able to find a way to heal himself of his bipolar disorder. Storrey Morrison captures how the art that Saunders creates allows him to relax, and how art allows him to work through his mental condition.

Bios of the contributors to the December 1994 Salt Magazine, with information on the Salt Center.

By spray painting walls in Portland, Bret Labelle is able to practice with different art mediums. Camila Kerwin profiles how Labelle wants to continue producing larger images.