Alexandria Brahler captures the work of Lisa Silverman, a recovering alcoholic and yoga leader who uses laughter in her sessions.

Having moved around a lot with his family as a child, Thomas Gehrig, or Flick, had a hard time connecting with people. Emily Qualey documents Flick's life, discussing tramatic experiences growing up, his realization that he was gay, and collecting antiques.

Annie Tselikis captures a photograph of a woman dancing at the sock hop.

In an effort to solve the graffiti issues in Lewiston, the city designated an specific area for artists to tag and paint, while outreach groups commissioned artists. Jennifer Calivas captures the topic of graffiti and the activities of Brian Serfes.

Kate Jeremiah captures images of immigrants who come from different places to America for freedom, known as the bridge generation.

Steve Cartwright, Sheryl Lane and Lynn Kippax Jr. document the lives of individuals who live on Indian Island.

Lisa Carp captures images at the Boys and Girls Club.

With only seven permanent residents and an influx of others who come in for day service, the Island Commons Nursing Home of Chebeague can give every resident individual attention. Marcus DeSenio documents the life of residents and patients at the nursing home.

Jennifer Fiano captures images while Jennifer Mikulski speaks to individuals about garbage collecting and waste systems.

G. Ligaiya Romero documents how two Somali-American cousins are striving to find their place in Lewiston through the hip-hop scene.

In 1974, the Portland Police Department hired their first full-time female police offices, bringing change to the police force. Amelia Walchli captures the roll that women have and continue to play within the Portland Police Department and how they adapt to a field that is mostly comprised of men.

Anne Phillips captures a photograph of Josh Dayton.