At Nickelodeon Cinemas in Portland, movies are shown with reels, film stripes, and a projectionist controlling all of the mechanisms in the booth. Luke Streckfuss highlights the work that is done in the projection booth to show a film.

Unlike the average homeless shelter, Friendship House houses homeless alcoholics who are attempting to stay sober. Jeremy Rosenshine captures the lives and experiences of individuals who stay at Friendship House.

Located on Congress Street in Portland, John Keaney's Ye Olde Pancake Shoppe has a certain character to it that makes it stand out and has customers return for more. Jeremy Rosenshine captures the business of the restaurant.

Richard Short documents life at the Nearing Homestead in Cape Rosier.

Hannah Quimby documents the life of Brent Howard, a powerlifter who travels to various powerlifting competitions.

With cosmetic surgery becoming more common for varying kinds of body modification or repair, Sabrina Haley captures the practice of Dr. Verne Weisberg in Portland.

On Beals Island, while most jobs are centered around lobstering, boat building, trap building, and seafood distribution, the fishing community is dying away as more tourists replace the native island population. Elizabeth Massa captures how the changes on Beals Island could force lifelong residents to leave to find new work.

Molly Myers captures a photograph of men sitting at a long truckers' table as a waitress attends to men at the far end.

Michael Teuteberg documents the activity at a Portland Sea Dogs game.

Title page to new section of magazine, with a quote on factory work.

With the desire to have her own place to live, Linda Mae Ash spends her time at Rockin' Rickey's Tavern. Talia Weiner captures Ash's life as a homeless senior citizen.

Robyn Redman captures a photograph of Major Randall Davis of the Salvation Army Corps.