Laura Roe and Laura Sibley document the history of people from Chebeague Island, Maine.

As the spiritual leader of the Penobscots, Senabeh believes he must make a last stand alongside his peoples. Pamela Wood speaks to Senabeh about how he defines his lonely Indianhood.

At Tom Gyger's orchard near Bridgton, Jamaican apple pickers live a life between two worlds. Lisa Rathke follows around 13 pickers through the harvest and their daily lives.

Introduction to Maine: A Peopled Landscape by Hugh T. French, who writes about the changing face of Salt and Maine.

Out at Wood Island at four in the morning, Lester Orcutt is ready to start his daily routine of dragging. Herbert Baum III joins Orcutt has he drags to learn about this fishing method and the work draggers perform.

With an interest in firearms from a young age, Monty Washburn began making guns for himself. Laurie Astrowsky and others document Washburn's interest in guns and the work that goes into crafting one.

Heading to Arundel to hear old time democracy, Valerie Gould and Anne Pierter go to a town meeting. Gould and Pierter document the meeting and the issues that were discussed.

The most seaward of all of Maine's islands, Matinicus, was in need of a single teacher. Anne Bardaglio documents how the Mantinicus almost lost its school, and how the island community needed the school to survive.

Building boats since 1951, the artform comes naturally to Ralph Stanley. Dorothy O'Keefe speaks to Stanley about his work building boats.

Sheryl Lane meets with Helen Perley of Pine Point to speak about the old days, her animals, and personal philosophies.

Representative of a different era, the Criterion Theater in Bar Harbor stands out. Peter Cooper documents how the theater continues to function in Bar Harbor's changing world.

As a master boat builder, Herb Baum, Sr. understands the intricacies of building a boat. Herb Baum III and Kathi Preble document the work that goes into designing and building a boat.